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喜歡看書嗎？也喜歡買書嗎？但是常常把書看完一遍就沒時間再看第二遍了。這種情況一定很常發生在你我身上，突然到了某一天，看到了
滿出來的書櫃，才覺得有那麼多的書籍都躺在那邊無人問津，真的是好可惜喔。想當初我可是花了一筆一筆的MOENY把它們買回家，重點是，還有
很多都是才剛出來的新書，也不便宜呢！想想感覺好像又有點浪費。 所以近幾年來，我買書的習慣變了，我喜歡上一個賣二手書的網路書店-TAZZE。
除了二手書的價格便宜了不少，重點是他還提供給我們賣二手書的平台，讓我的書櫃裡的書可以找到去處，也可以再回收一些錢回來。感覺也不錯。
最近我在找一本書， A Perpetual Fire：John C. Ferguson and His Quest for Chinese Art and Culture ，習慣性在TAZZE找找看 A Perpetual Fire：John C. Ferguson and His Quest for Chinese Art and Culture 有沒有賣，還真的給我找到了 A Perpetual Fire：John C. Ferguson and His Quest for Chinese Art and Culture 。看起來滿新的，價格
也真的粉便宜。對 A Perpetual Fire：John C. Ferguson and His Quest for Chinese Art and Culture 有興趣的朋友，也提供 A Perpetual Fire：John C. Ferguson and His Quest for Chinese Art and Culture 的網頁給大家參考一下。
A Perpetual Fire：John C. Ferguson and His Quest for Chinese Art and Culture
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商品訊息功能:
商品訊息描述:
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作者：
Lara Jaishree Netting
出版社：
香港大學出版社
出版日期：2013-08-01
ISBN/ISSN：9789888139187
語言：繁體中文
裝訂方式：平裝
頁數：312頁
商品訊息簡述:
After serving as a missionary and then foreign advisor to Qing officials from 1887 to 1911, John Ferguson became a leading dealer of Chinese art, providing the Metropolitan Museum of Art, the Cleveland Museum of Art, and other museums with their inaugural collections of paintings and bronzes. In multiple publications dating to the 1920s and 1930s, Ferguson made the controversial claim that China’s autochthonous culture was the basis of Chinese art. His two Chinese language reference works, still in use today, were produced with essential help from Chinese scholars. Emulating these “men of culture” with whom he lived and worked in Peking, Ferguson gathered paintings, bronzes, rubbings, and other artifacts. In 1934, he donated this group of over one thousand objects to Nanjing University, the school he had helped to found as a young missionary.
This work offers a significant contribution to the history of Chinese art collection. John Ferguson learned from and worked with Qing dynasty collectors and scholars, and then Republican-era dealers and archeologists, while simultaneously supplying the objects he had come to know as Chinese art to American museums and individuals. He is an ideal subject to help us see the interconnections between increased Western interest in Chinese art and archeology in the modern era, and cultural change taking place in China.
作者簡介：
Lara Netting received her PhD in East Asian Studies at Princeton University in 2009. She has held a Getty Fellowship at the Asia Society Museum and the J. Clawson Mills Fellowship at The Metropolitan Museum of Art.
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